Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the
The FBI War on Tupac Shakur and Black Leaders contains a wealth of names, dates and events detailing the use of COINTELPRO style tactics by the FBI against a generation of leftist political leaders and leftist musicians. Based on 12 years of research and includes over 1,000 endnotes. Sources include over 100 interviews, FOIA-released CIA and FBI documents, court transcripts, and many mainstream media outlets. Book is 192 pages of main text, 100 pages of endnotes, 8 pages of photos (incl.